Mardi Gras Pros and Cons: Who Should Book It?
Mardi Gras is not just a bigger Carnival ship with a roller coaster bolted to the top.
It changed the line’s whole formula with six themed zones, a three-story Grand Central, far more casual food, a real adults-only Serenity pool, and the French Quarter, but it also brought tiny elevators, undersized entertainment venues, and some traffic patterns that make 6,000 people very noticeable.
Short version
- Best reason to book: Mardi Gras has some of Carnival’s best free-ish casual eating strategy.
- Another strong point: The French Quarter gives Mardi Gras an identity its sisters do not copy exactly.
- Biggest tradeoff: Grand Central is beautiful and functionally awkward.
- Think twice if: The comedy club and Piano Bar are too small for Mardi Gras.
- Bottom line: Book Mardi Gras when its signature strengths sound exciting, not simply because it is newer or larger.
Before booking, browse the ship page, deck plan, and onboard guide so the cabin and activities match your priorities.

My Mardi Gras cheat sheet
- Best for: Carnival regulars who want more ship, families who care about casual food, and social travelers who like comedy, bars, music, and an energetic pool deck.
- Best ship-specific feature: the French Quarter, not BOLT.
- Most annoying flaw: several wildly popular venues are too small for the number of people who want to use them.
- Booking move to make: choose a cabin around the elevator bank you will actually use, then learn the destination elevators on day one.

Pro: Mardi Gras has some of Carnival’s best free-ish casual eating strategy
The food advantage on Mardi Gras is not that every meal is incredible. It is that you can go most of a week barely touching the main buffet because the ship spreads burgers, chicken, tacos, burritos, pizza, Street Eats, barbecue, deli-style food, and other casual choices around the ship.
Big Chicken is the casual venue to prioritize first, while Guy’s Burger Joint and BlueIguana remain dependable Carnival staples. The practical win is having multiple good answers when your group wants different things without forcing everybody into one buffet line.
Lines still happen, particularly at Big Chicken and Guy’s during obvious lunch hours. Eat twenty or thirty minutes off the herd schedule whenever possible because “included food” loses some charm when you spend half an hour staring at the person in front of you.
Main dining is less consistent than the casual-food lineup. Dinners can stretch close to two hours and waiting areas can get crowded, so do not build the entire week around traditional dining if your family has limited patience.
Pro: the French Quarter gives Mardi Gras an identity its sisters do not copy exactly
The French Quarter is why it makes sense to choose Mardi Gras specifically rather than saying “any Excel-class ship will do.” Brass Magnolia and Fortune Teller create a moody, music-heavy, New Orleans-inspired pocket of the ship that feels more like an actual neighborhood than a corridor with a theme name.
Emeril’s Bistro adds to that identity, and live music keeps the area useful after dinner instead of turning it into decorative restaurant frontage. It is also one of the easiest places to send adults who say Carnival is too neon, too loud, or too aggressively fun at them.
Plan at least one unhurried evening here rather than racing from show to show. Mardi Gras is better when you let the zones work as neighborhoods instead of treating them as checkpoints.
Pro and con: BOLT is genuinely cool, but do not choose the cruise for it
BOLT gets the photos because “roller coaster at sea” is an excellent sentence. The motorcycle-style cars accelerate around the upper deck, and the ride is genuinely fun even though it is over quickly.
It also costs extra, can close for weather or operational reasons, and works best as a one-time novelty rather than the centerpiece of the cruise. Absolutely try it if the price and timing work, but do not let one short paid ride decide a seven-night vacation.
The better reason to book Mardi Gras is everything around BOLT. The Ultimate Playground, water park, sports areas, pools, casual food, comedy, bars, and family programming keep the ship useful long after you have the coaster photo.
Pro: Serenity is one of the better adult escapes on a mainstream mega-ship
Mardi Gras gives its adults-only Serenity area a real pool rather than a symbolic ankle-deep water feature, plus hot tubs, loungers, a bar, and a calmer atmosphere than the main Lido deck. For adults traveling without kids, that can change the whole daytime experience.
Use Serenity early on sea days before the best loungers disappear. It is one of the ship’s best pressure-release valves, which also means the prime spots can go quickly once everyone decides the main Lido deck is too much.
Havana is a different proposition because access depends on the cabin category and its outdoor water space is not a giant private resort pool. Book Havana for the overall atmosphere and access benefits, not because you expect a sprawling pool complex hidden from everyone else.
Con: Grand Central is beautiful and functionally awkward
Grand Central replaces the traditional enclosed theater as one of Mardi Gras’s major performance spaces, using a huge wall of windows and multi-level seating. During the day it is one of the prettiest public areas Carnival has built; during a popular show it can turn into a lesson about why theaters normally have controlled sightlines and doors.
Seats with good views disappear early, people stand along railings, and normal passenger traffic still has to move through parts of the space. A production can be good while the experience of trying to see it is needlessly annoying.
If a Grand Central show matters to you, arrive much earlier than your “we’ll just find a seat” instinct suggests. It is better to sit with a drink for twenty minutes than watch dancers through the shoulders of six people who had the same late-arrival strategy.
Con: the comedy club and Piano Bar are too small for Mardi Gras
Carnival does comedy extremely well, which makes the size of Punchliner especially frustrating. The ship carries thousands of passengers who already know Carnival comedy is one of the best free nighttime options, then gives them a venue that cannot comfortably absorb the demand.
The Piano Bar has a similar problem. If either venue is a must-do, do not finish dessert at the exact start time and stroll over assuming the universe saved you two chairs.
This is one of the most genuinely ship-specific Mardi Gras cons because it is not just “big ships have crowds.” It is a capacity mismatch between very popular programming and the rooms where Carnival puts it.
Con: the elevators may become your least favorite attraction
Mardi Gras uses destination elevators, where you select your deck before entering and the system assigns a car. In theory this groups passengers efficiently, but the system works badly when a whole family presses once and the computer thinks one human is waiting instead of five.
Use the system the way Carnival intends and register each passenger in your party when required by the panel. Peak periods can still mean long waits, small crowded cars, and hot elevator lobbies, so do not depend on fast elevator service immediately after a show or at the busiest meal times.
If you can use stairs for two or three decks, you will save surprising amounts of time. Do not tell someone with mobility limitations to “just take the stairs,” which is exactly why cabin placement matters so much on this ship.

Con: Mardi Gras has a few routes that feel chopped up for no good reason
The six-zone concept makes the ship easier to understand conceptually, but moving through it is not always intuitive. Grand Central, casino traffic, restaurant entrances, and changes in public-space flow can turn what looks like a straight walk on a deck plan into a detour.
Spend the first afternoon learning two routes: cabin to Lido and cabin to Grand Central or the main evening venues. You do not need to youmorize the entire ship, just stop making the same wrong turn four times a day.
The Mardi Gras deck-by-deck guide is more useful here than a generic “stay midship” rule. Midship only helps when the path you need actually goes through midship.
The crowding is real, but it is weirdly concentrated
Mardi Gras can feel both crowded and surprisingly easy depending on where you are. Loungers and quiet corners can still be available on a very full sailing, then a post-show elevator lobby or dinner queue can suddenly look like an airport after a cancellation.
The casino, Grand Central after shows, popular casual restaurants at noon, elevators, and dining-room waiting areas are the predictable pressure points. Away from those moments, the zones distribute people better than the total passenger count suggests.
This is why timing is more useful than complaining that the whole ship is overcrowded. Eat slightly earlier, arrive early for comedy, and avoid demanding an elevator the second a major show ends unless standing shoulder-to-shoulder is part of the entertainment.
Cabin choice can make Mardi Gras feel much better or much worse
Be particularly cautious with cabins near Grand Central activity, under busy upper decks, beside connecting doors, or far from the elevator bank your family will use all week. The ship is big enough that a quiet room can still be annoying if every breakfast begins with a migration.
Cove balconies can be a great value for people who want to feel close to the water, while higher balconies put you nearer the outdoor action. Havana cabins make sense for passengers who will use the exclusive area, not as a generic “better cabin” purchase.
Use my Mardi Gras cabins to avoid guide and best cabins and suites guide before choosing a guarantee rate. On this ship, saving money and surrendering location control is a trade to make only if the discount is actually meaningful.
Who should book Mardi Gras
- Carnival fans ready for a more polished mega-ship. The humor and social atmosphere are still Carnival, but the physical ship feels much more ambitious.
- Families with hungry teenagers. The casual dining variety alone can save a surprising amount of daily negotiation.
- Adults who like comedy and live music. You just need to arrive early enough to get into the room.
- Travelers who want lively days and lively nights. Mardi Gras does not require you to manufacture your own fun.
- People who like having multiple “home bases.” French Quarter, Summer Landing, Serenity, Lido, and Grand Central each support a different version of the day.
Who may prefer another Carnival ship
- Cruisers who love small-ship familiarity. You are less likely to know half the dining staff and recognize everybody at trivia by Tuesday.
- Anyone who needs elevators constantly and hates waiting. The destination system and passenger volume can become a daily irritation.
- People who want large traditional theaters and lounges. Grand Central is impressive, but several venues simply do not have enough seats.
- Travelers who judge a cruise mainly by main dining and buffet quality. Mardi Gras is strongest when you use its wider casual-food ecosystem.
How to book Mardi Gras
First, decide your daytime home base. Adults without kids might optimize for Serenity and the French Quarter, while a family could care far more about the Lido deck, Ultimate Playground, and casual restaurants.
Then, pick a cabin around that pattern and learn the elevator system immediately. Reserve BOLT only if your group genuinely wants it and treat the ride as a fun extra rather than a sacred appointment.
For food, use the Mardi Gras restaurant guide to build a loose list of casual favorites and maybe one or two paid meals. Do not buy a bunch of dining simply because the ship offers it when the included casual lineup is one of Mardi Gras’s best features.
Finally, get to Punchliner and any Grand Central show you care about early. Mardi Gras rewards people who plan the bottlenecks and stay spontaneous everywhere else.
Continue planning with the cruise tips, things to do.
How this guide was researched: This guide was checked against the cruise line’s current ship pages, deck plans, venue listings, and published policies. Details can change by sailing, so confirm booking-sensitive prices, hours, access rules, and cabin assignments before payment.
The final call
Mardi Gras is one of Carnival’s most interesting ships because the good and bad parts are both specific. The French Quarter, enormous casual-food selection, BOLT, Serenity pool, and zoned layout give you reasons to choose this ship rather than merely choosing Carnival.
The compromises are equally tangible: tiny elevators, frustrating post-show traffic, slow dining experiences on some sailings, and comedy, piano, and Grand Central spaces that can feel too small for their own popularity. If those annoyances sound manageable, Mardi Gras delivers a huge amount of vacation for the fare.

Plan your Mardi Gras cruise
Use the cabins to avoid, best cabins, and deck guide to turn the broad pros and cons into a confident room choice.

